Kerala Sampradaya Bhajans
Wednesday, September 7th, 2011
Bhajans that has been an integral part of every day Prasanthi sessions took a slight detour today presenting an innovative style of bhajan singing known as ‘Sampradaya Bhajans’ as the ongoing Onam celebrations 2011 entered in its second day here in Prasanthi Nilayam this evening.
The programme for the evening was Sampradaya Bhajans by Sri Vinaya Chandra Menon. Sampradaya Bhajan is a traditional bhajan singing, more popular in South India, a tradition, as the name suggests, is handed down by one’s ancestors and is considered to be the forerunner of modern day Carnatic music concerts, as it has a harmonious blending of the divine, art and music elements.
Beginning with invocation of the prime deities, with his rich and melodious voice echoing the Sai Kulwant Hall, Sri Menon invoked next The Supreme Lord Presiding Over the session, Beloved Bhagawan, with a ‘dhyana sloka’ Sada Sadswaroopam Sadgurum Sainatham…before commencing the programme with the song Jaya Jaya Sai Namo…Jaya Jaya Jagadisha Namo…
Adjusting the tune within the fabric of Carnatic rules, almost following a medley pattern, the versatile singer sung with elan another 12 compositions, regaling Prasanthi to greater devotional heights, while remaining himself completely engrossed in singing. His mixture of songs included vernacular songs in Malayalam and Tamil and some of Prasanthi’s Own bhajans, namely, Vande Uma Nandanam…, Amba Mandahasa Vadhani…, Subramaniam Subramaniam etc…
Sri Vinaya Chandra Menon is a trained artiste in this mode of singing, trained under the expertise of various Bhagavatars, and has been performing this particular form of bhajan in various temples, namely Tirupathi and Shabari Mala etc…Sri Menon was accompanied by Natesan, Gururaj Murthy, Rajesh Menon, Hari Menon and Parvathi Menon in vocal, Ramakrisnna in Harmonium, Swaminathan in Mridangam and Shankar Vinayak in Dolki.
At the end of the 50 mts. session, the artistes and accompanists were felicitated with clothes. Bhajans by students continued for the next ten minutes before Mangala Arathi at 1800 hrs. Blessed laddu prasadam was distributed for the entire audience.
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